Welcome to pianogroove Thomas. Iām sure you will find what you are looking for here. Iām fairly new too and I have found this community both encouraging and inspiring so I would advise you to keep in contact with it. I enjoyed your playlist but I particularly enjoyed the Thomas Nau whatever#3.
Enjoyed the music, especially whatever #3. Welcome. I to have a classical background. Piano Groove is really helping with my transition into the jazz world.
Dr. Dean. Just a beginner here also.
Hi Thomas, and welcome!
Thanks for sharing your wonderful album.
I listened to a few of your performances and they are beautifully played. Thereās some of my favourite composers in there too.
What an eclectic mix of music from Chopin to Nils Frahm!
Awesome, it sounds like you are in the right place!
For Improvisation:
Listening and Transcription are 2 essential components of learning to improvise. Hereās some information for you:
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Discover the recordings/artists/sounds you like in our listening area: Records & Albums - PianoGroove Community
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Understand the importance of transcription. Hereās an introduction course on transcription, and try some of Tuomoās transcription exercises which were just launched today.
For accompanying singers, check out the following 2 courses:
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How To Accompany Singers: Jazz Piano Vocal Accompaniment Course | Learn To Accompany on Piano
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Learn To Sing & Play: Jazz Piano Vocal Accompaniment Course | PianoGroove.com
We are also launching a new Vocal Accompaniment section shortly which has vocal-play-a-long tracks for our students to practice the art of accompaniment. More to be announced shortly.
Great to hear you like the structure of the PianoGroove syllabus.
I recommend that students study multiple courses at once. All progress is saved to your dashboard so itās easy to keep track of your learning journey.
The Beginner Jazz Lessons feed into most material on the site, so if you have interest in other genres - such as Bossa Nova - itās a good idea to learn the basic jazz theory including chord extensions, rootless voicings, and altered harmony.
The key is a lot of listening and transcription Thomas.
If you scan through some of my replies in this thread you will get a lot of insight into how to go about.
Particularly with you coming from a classical background, listening is incredibly important to absorb the feel and articulation of jazz music. Of course spend the time to study the theoretical aspect of the PianoGroove syllabus, but always remember to spend a lot of time listening too - it is the ultimate source of inspiration.
Brilliant. If you need any help or guidance donāt hesitate to ask here in the community.
Talk soon!
Welcome Thomas! Youāve made a good choice. PianoGroove seems to work well for nearly everyone here, whatever their background or level of playing. And those are quite varied. Thanks for sharing your music. With your technique and a bit of study and lot of listening, youāll be up to speed in no time. Have fun.
Hello, my nameās Diana and I am a self-taught learner. I started learning the piano back in the 90ās with the help of a book called āHow to play popular pianoā. Having learned the basic major, minor triads as well as 7th chords, and playing through all these boring cheesy tunes (āTwinkle, Twinkleāā¦) from the book, I managed to learn or rather memorize! one of Yanniās songs āUntil the Last Momentā - yes, that was my very first song that I mastered 100% only after completing the aforementioned book. Note: there didnāt use to be YouTube back in the 90āsā¦
You might think thatās brilliantā¦ well, itās not if you take into account that I understood NOTHING of what I was playing. I was just like a little monkey copying whatās written and playing all the corresponding notes.
Fast forward to current times: Iāve started learning jazz theory and completed a couple of online jazz piano courses. I am only starting to understand all the chord/jazz theory. Then I came across PianoGroove - and I was taken aback by the fact that it provides so much free/sample material. I mastered āMistyā WITH COMPLETE UNDERSTANDING of what is going on in the song in terms of progressions, extensions, voicings, etc. - Hayden, youāre a great teacher. My previous jazz piano course on another site was at times too challenging for me to follow with understanding. Your course fills all the gaps in my knowledge and transforms puzzling questions into āYAY! I GET IT!ā
BTW, I can still play āUntil the Last Momentā after all these years, but itās only muscle memory. To fully understand it, Iād need to re-learn this song by analyzing it.
Iāve had a quick look at some of the content on PianoGroove and Iām blown away by the detailed information. I have so many questions to ask but I hope I can find most of the answers already on this forum. BTW, my minor complaint about this forum is that itās a little counter-intuitive to browse all the topics. I find the layout confusingā¦ how do I display ALL of the categories and then see all the topics chronologically in that category? I donāt even see the āSubmitā button hereā¦ oh, I hope itās this yellow āreplyā buttonā¦
Thank you, looking forward to learning some real piano!
welcome, after you have been with the PianoGroove program and forum you will find it more intuitive and easy to navigate;
I also suffer from falling back on muscle memory, almost like my brain and hands are not in the same place (which does NO good if you briefly get lost) so I have tried to return to some beginner tunes and explore both the ballad and left hand voicings and really get to know the bones of a tune. often I take that same song lesson all over again months later and suddenly see it in a new way; have fun
welcome Thomas, sounds like you have skills already and now some more specific tools to expand onā¦ I know you will have fun;
Welcome Diana!
Iām glad you are enjoying the PianoGroove teaching style.
Any theory questions you have, you can get quick replies from our teaching team and students here in the forum.
Hereās some tips to browse the categories and topics in the forum:
1) The Secondary Navigation
These 5 buttons link to some of the key forum areas:
- Forum Home Page
- Practice Tips & Inspiration
- Common Theory Q&As
- New Lessons News & Announcements
- Listening - Share & Discover Recordings
2) Categories & Latest Toggle Button
There is a toggle button in the top left which allows you to switch between āCategory Homeā and āLatest Posts Homeā
3) Individual Category Sections
From Category Home, simply click on the category titles or images, and this will take you directly to the category pages. You will also notice that there are sometimes subcategories, such as in the āPractice Inspirationā Section
The forum is constantly evolving so you will see new sections appearing, but the above should give you a good overview of how to navigate the different forum categories.
Iāll also make an explainer video of the above, I think that would be nice for new students joining us.
Thanks and talk soon!
Hi all! Iāve been an off-and-on, somewhat diligent classical, jazz, and latin piano student for about 14 years currently living in Chicago, which has a thriving jazz scene at the moment. As a piano player, Iāve never been too keen on learning tunes; I prefer to just sit down and create a beat or improvise in a sort of meditational way, without thinking much about what exactly Iām doing. Iāve realized that while I feel good playing in the moment, I become frustrated without a roadmap of where to go next or exactly it is that Iām doing and why things sound good and bad. Iāve also realized that itās crucial to learn songs as a way to play. Therefore, Iām looking to greatly expand my ability to improvise through the learning of jazz theory, voicings, and standards, and use it as a vehicle for creation and composition, with the ultimate endgoal of being part of a group that writes music or as a solo creator of interesting and sometimes complex tunes, or both!
Iām also very interested in learning different rhythmic styles, and am looking forward to the brazilian and latin sections of the website!
Andrew
Hi Andrew,
Welcome to the PianoGroove community!
With your experience of classical, jazz, and latin studies, Iām sure you will be able to dive straight into any of the material on the site.
We have put together a series of practice plans which help students to learn the foundational jazz theory in all 12 keys. I think it would be worthwhile to check out these posts:
You will likely be familiar with most of the material, but it may also highlight some gaps which you overlooked.
The more tunes we play, the more harmony we are exposed to, and so my recommendation is simply to study the tunes that interest you.
Also check out this video where I highlight the importance of regular listening and transcribing. That thread also contains links to listening/transcription exercises which are published weekly for our students to participate in.
The goal of these exercises is to improve our listening skills, empowering us to become self-sufficient learners so that we can listen to our favourite recordings, albums , and musicians to pick out material directly from recordings.
That way, we are taking āour soundā in the direction that we want to take it - based on the sounds that we like - which is a very liberating point to get to as a musician.
I think you will enjoy Jovinoās Brazilian section of the website .
There is a beginner-focused Bossa Nova course taught by myself in there, but Jovinoās insights and experience are unparalleled in this field of improvised music, and so in terms of rhythm and groove, I think that his courses will give you the information you are looking for.
Finally, it is worth noting that many of the concepts covered in Jovinoās Bossa Nova courses incorporate theory covered in the jazz courses such as:
Our Rootless Voicings Course:
Our Altered Harmony Course:
Our Chord Substitution Course:
And so I would also recommend looking through those courses to familiarise yourself with the theory and the terminology.
There is a new Brazilian course to be published shortly on āTriad Approach To Improvisationā which was taught to Jovino by his mentor Hermeto Pascoal. I will be announcing this in the forum area shortly so keep your eyes out for that.
I hope this helps to give you some direction, and if you have any specific questions please donāt hesitate to let us know.
Cheers!
Hayden
Welcome Andrew, One thing about PianoGroove is that you can still be you and keep your learning style and preferences and still gain ground and grow, In the Latin Brazilian section you will have plenty to stretch your brain on. Have fun.
Nothing wrong with learning a tuneā¦ thatās what your family and friends enjoy when they listen to you play.
Wellcome Diana and Andrew !
Welcome Andrew. This is a great place to be!
Hi All
Just joined, looks like there is a lot going. Iām frankly a bit confused where to start so Iāll say hello and take it from there.
Iām returning to jazz piano after my 2 young kids took all my practice time. Iāve had a few lessons 5 years ago so Iāve got the basics.
Previous to this I have a more interesting musical background which keeps me looking to make the most of my skills. I signed with Creation records when they were at the height of their success with Oasis. Iām now 44, a family man working for myself in TV commercials and Music video. No regrets that it ultimately didnāt work out back then. Plenty good rock n roll stories that Iāll take with meā¦
Of course, my older self prefers the complexity of jazz to the pop music we made at the time, but thereās many a similarity in terms of writing & creativity.
I look forward to working with you all
Cheers
Grant
Hi Grant
Firstly welcome to the PianoGroove Community!
Iād recommend reading through the comments in this āIntroduce Yourselfā thread.
Iām sure you will find many of the comments and recommendations helpful and applicable to your goals and aspirations.
Hereās some additional information for you:
1) The Beginner Jazz Syllabus:
Whether you want to learn jazz, blues, or bossa/samba, the information covered in this syllabus is essential. You may just need to quickly flick through some of the foundational material, but Iād recommend you watch the lessons none the less:
2) PDF Practice Planners
We have a series of PDF practice planners which can be followed to give structure and organisation to our practice sessions. I explain how to use them in this video.
You can find more detailed information on the plans here:
3) Listening & Transcribing
As jazz musicians itās essential that we regularly listen and transcribe from our favourite recordings. This is a very important part of our development.
We have hundreds of records shared in this thread, it might be nice to browse through them to discover some sounds you like and also share your own favourites.
Check out this video where I explain the importance of listening and transcription, and how this is essential to develop our āown voiceā and improvisational style.
4) Jazz Standard Lessons
Iād recommend starting with the beginner jazz courses, but if you have a particular song you would like to learn, I would recommend that you just go ahead and learn it.
If you choose some intermediate/advanced lessons, you may not understand all of the theory involved, but donāt fret about that. The full understanding will come with time.
Hereās our standard lessons organised by genre.
Hereās our standard lessons ordered by difficulty.
Spend some time to check out the links above and any questions or comments just let us know.
Enjoy the lessons!
Welcome Grant! You are going to love PianoGroove! There is something here for everyone. I learn new things every weekā¦even as I revisit lessons I have taken previously. I know that I have already improved tremendously and canāt wait to see where I will be this time next year! Have fun!
Hi Hayden - I have just discovered your youtube channel and after doing a couple of lessons I signed up for a year straight away!
I am from Brisbane, Australia. I studied classical piano and voice from 6 years of age, doing the usual eisteddfods and exams through my childhood. I went onto to study voice and piano at the Queensland Conservatorium of Music and have since been a am a professional musician of thirty years.
I did some jazz lessons while I was at the Con, and successfully auditioned for a 12 voice jazz vocal group in my second year. Being classically trained, jazz and improvisation have always daunted me - I like to be carefully rehearsed note for note before a performance, and music reproduction is my strength. Therefore my career led me in the way of corporate bands and tribute shows, and solo and duo work. I still work approx 3-6 gigs a week, and my most successful production is my ABBA tribute show that has been running for 16 years now, ABBALIVE. I have a good ear and perfect pitch, so when I started working with a country band 7 years ago that just threw songs and solos at me, I have now become a little more familiar with the improvisation side of things, but would like to fully understand, learn, and practice more.
My daughter is now 19 and in her second year at the Conservatorium, following a similar path, and I have encouraged her in the area of Jazz which has reignited my interest in exploring this area further. I also now have a passion for travel and have just applied for cruise ship work as part of the house band. As a sight reader I am fine but I need to brush up on my reading of jazz charts and put the knowledge into practice so it is instantaneous.
Iām really looking forward to starting the lessons on here - I am going to work through from the beginning so it fills in all the holes for me.
Sadly to say, I have never liked jazz much. I saw Herbie Hancock when he came to Brisbane and have seen a few other acts along the way, including a great quintet in Prague at the beginning of the year. I believe my lack of falling in love with this genre is lack of knowledge and understanding, and I hope to be a keen jazz fan very soon. I will start listening to the artists you have recommended. Thank you, Lynelle.
Wellcome Grand and Lynelle in the community !!!