Hi @Nivaldo and @orlandoceccarelli 
The seminar chapters have been added, and I also cleaned up the section towards the end where my microphone was accidentally muted.
Here is the archived seminar page:
Rootless Voicings PDF
I have created a PDF with rootless voicing examples for “Georgia On My Mind”.
Please note that this is not a transcription, but rather rootless voicing options (different inversions and variations etc…) and added some variety to the rootless voicing choices in each A section in the PDF.
One of the key points from the seminar was that learning and internalising the rootless voicings shapes is a very important step to ‘free up our mental bandwidth’ for right hand melodic embellishment and improvisation.
I recommend to cycle around and around the song using Quartet App. Set the repeats to 10 or 20 and just cycle around until these voicing shapes become comfortable and intuitive.
The main benefit of rootless voicings is that there is very little movement between them. Usually the notes move by half or whole steps.
If you play through these progressions, you will see that the hand movement is kept to a minimum:
3625 & 1625
36251
3625 & 1625
You will see slightly different variations for the dominant chords, such as natural 9th, b9th, #9th, and #5#9 - which provide a slight difference in color/tension but remember that the underlying chord quality and guide tones (3rds and 7ths) are the same throughout all of these examples.
Recordings & Suggested Listening
Here is the trio recording that we were analysing in the seminar:
This can be found in the Spotify Playlist for “Georgia On My Mind”.
Seminar Feedback & Suggestions
If you have any feedback on this seminar format - specifically pulling in the Quartet chord visualisation - please let me know.
I hope it was useful and easy to follow along compared with looking at the regular score/chord chart.
Any ideas for future seminars don’t hesitate to let me know!
Hayden