Sunday, March 12th, 2023 (Day 237) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11 ✓
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
B, G, C minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
E♭⟶B♭⟶Bm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
- A, E, F minors, harmonic & melodic
-
E, F, A♭ majors
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
Am, A w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
- Two Octave Tonic Arpeggios: A @ 80-bpm ✓
- Two-octave scales (HT) random selection
- Ear Training Pattern
REPERTOIRE
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-33
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 139-bpm
⟶ Section B, mm. 16-23; 108-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
Monday, March 13th, 2023 (Day 238) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) ✓
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
B, G, C minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A⟶Gm⟶D: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
A, E, F minors, harmonic & melodic ✓
-
E, F, A♭ majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
REPERTOIRE
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 139-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
Tuesday, March 14th, 2023 (Day 239) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
E♭⟶B♭⟶Gm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm
- Two Octave Tonic Arpeggios: A @ 80-bpm
- Two-octave scales (HT) random selection
- Ear Training Pattern
REPERTOIRE
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 132-bpm
⟶ Section B, mm. 16-32; 108-bpm
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
Wednesday, March 15th, 2023 (Day 240) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11 ✓
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
Gm⟶E♭⟶D: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm
- Two Octave Tonic Arpeggios: A @ 80-bpm
- Two-octave scales (HT) random selection
- Ear Training Pattern ✓
REPERTOIRE
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 132-bpm
⟶ Section B, mm. 16-32; 108-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
- “The Holly and the Ivy” (Traditional); mm. 1-6
Thursday, March 16th, 2023 (Day 241) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
E♭⟶A⟶D: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
- Two Octave Tonic Arpeggios: A @ 80-bpm
- Two-octave scales (HT) random selection
-
G, G♯m, Dm, D♯m, D♭, C♯m ✓
- Ear Training Pattern
REPERTOIRE
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
Friday, March 17th, 2023 (Day 242) 4 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
Gm⟶Bm⟶B♭: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
- Two-octave scales (HT) random selection
- Ear Training Pattern ✓
REPERTOIRE
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 132-bpm
⟶ Section B, mm. 16-32; 108-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
Saturday, March 18th, 2023 (Day 243) 4 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
B♭⟶Bm⟶Gm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
- Ear Training Pattern ✓
- Sight Reading: Level 1 ✓
REPERTOIRE
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 132-bpm
⟶ Section B, mm. 16-32; 108-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
Sunday, March 19th, 2023 (Day 244) 4 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
E♭⟶Bm⟶B♭: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT)
- Two-octave scales @ minimum 104-bpm (HT)
- F, E, A minors, harmonic & melodic
-
F, A♭, E majors
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Two-octave scales (HT) random selection
- Sight Reading: Level 1
REPERTOIRE
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 132-bpm
⟶ Section B, mm. 16-32; 108-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
Monday, March 20th, 2023 (Day 245) 4 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
Gm⟶A⟶E♭: broken @ 66-bpm, solid @ 132-bpm
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm ✓
- Two-octave scales (HT) random selection
- Ear Training Pattern ✓
- Sight Reading: Level 1 ✓
COURSES / LESSONS
- Extended Chords & Voicings course: Herbie Hancock Voicing
REPERTOIRE
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-32; 108-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
Tuesday, March 21st, 2023 (Day 246) 4 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11 ✓
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
B♭⟶E♭⟶Bm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Ear Training Pattern ✓
REPERTOIRE
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-32; 108-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
- J S Bach, “Minuet No.1” from Suite in G Minor, BWV 822
⟶ mm. 1-8 @ 46-bpm
Wednesday, March 22nd, 2023 (Day 247) 2 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
B♭⟶Gm⟶Bm: broken @ 66-bpm, solid @ 132-bpm
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2 ✓
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
- Two-octave scales (HT) random selection
- Ear Training Pattern ✓
- Sight Reading: Level 1 ✓
REPERTOIRE
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-32; 108-bpm
- 2nd movement: ⟶ mm. 1-16 @ 54-bpm
- J S Bach, “Minuet No.1” from Suite in G Minor, BWV 822
⟶ mm. 1-8 @ 46-bpm
Thursday, March 23rd, 2023 (Day 248) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
Gm⟶Bm⟶E♭: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm
- Two-octave scales (HT) random selection
- Ear Training Pattern
REPERTOIRE
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-32; 108-bpm
- J. S. Bach, “Minuet No.1” from Suite in G Minor, BWV 822
⟶ mm. 1-8 @ 60-bpm
MUSIC
-
Piano Jazz Ballads, Smooth Jazz Lounge, Various Artists (2014)
Friday, March 24th, 2023 (Day 249) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
Bm⟶D⟶Gm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm
- Two-octave scales (HT) random selection
-
D♭, C♯m, G, D♯m, G♯m, B ✓
- Ear Training Pattern
- Sight Reading: Level 1
REPERTOIRE
- J. S. Bach, “Minuet No.1” from Suite in G Minor, BWV 822
⟶ mm. 1-8 @ 66-bpm
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-32; 108-bpm
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
Saturday, March 25th, 2023 (Day 250) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords ✓
⟶ declining chromatic sequence: Cm11⟶Fm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
B♭⟶D⟶Gm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A & F, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
- Two-octave scales (HT) random selection
-
F♯m (A), C♯m (E), G♭, Dm (F), G♯m (B) ✓
- Ear Training Pattern ✓
- Sight Reading: Level 1 ✓
REPERTOIRE
- J. S. Bach, “Minuet No.1” from Suite in G Minor, BWV 822; AABB form
⟶ Section A, mm. 1-16 @ 100-bpm
⟶ Section B, mm. 17-24 @ 60-bpm
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-32; 108-bpm
- “Misty” ⟶ focus on mm. 23 & 24
Sunday, March 26th, 2023 (Day 251) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
E♭⟶D⟶Gm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A & F, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors
-
A Major, A harmonic minor formula pattern @ 104-bpm
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm
REPERTOIRE
- J. S. Bach, “Minuet No.1” from Suite in G Minor, BWV 822; AABB form
⟶ Section A, mm. 1-16 @ 100-bpm
⟶ Section B, mm. 17-48 @ 88-bpm
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-32; 108-bpm
Monday, March 27th, 2023 (Day 252) 4 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position)
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Fm11 ✓
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
Bm⟶Gm⟶B♭: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A & F, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
- Two-octave scales (HT) random selection
-
C♯m (E), G♯m (B), D♭, Dm (F), G ✓
- Ear Training Pattern ✓
- Sight Reading: Level 1 ✓
REPERTOIRE
- J. S. Bach, “Minuet No.1,” BWV 822, from Suite in G Minor
⟶ AABB form complete, mm. 1-48 @ 100-bpm
- J. S. Bach, “Prelude in C,” BWV 846, from The Well-Tempered Clavier, Book 1
⟶ mm. 1-6
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-32; 108-bpm
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
Tuesday, March 28th, 2023 (Day 253) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) & Type B (closed position)
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
B♭⟶D⟶E♭: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A & F, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors
-
A Major, A harmonic minor formula pattern @ 104-bpm
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm
REPERTOIRE
- J. S. Bach, “Minuet No.1,” BWV 822, from Suite in G Minor (1705?)
⟶ AABB form complete, mm. 1-48 @ 100-bpm
- Royal Conservatory of Music, Level 3 Études
- Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841)
⟶ mm. 1-8
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
Wednesday, March 29th, 2023 (Day 254) 1 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Gm11
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
D⟶B♭⟶Bm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- Two-octave scales (HT) random selection
-
G♭, C♯m (E), F♯m (A) A♯m (D♭), D♭ ✓
- Ear Training Pattern ✓
REPERTOIRE
- J. S. Bach, “Minuet No.1,” BWV 822, from Suite in G Minor (1705?)
⟶ AABB form complete, mm. 1-48 @ 100-bpm
- “Grow Old With Me” (John Lennon), AABA form
⟶ Section A, mm. 1-27 @ 80-bpm
⟶ Section B, mm. 28-34
- Royal Conservatory of Music, Level 3 Études
- Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841)
⟶ mm. 1-8
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
Thursday, March 30th, 2023 (Day 255) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Fm11 ✓
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
E♭⟶B♭⟶Bm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Exercises: Clementi Op.821:
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A & F, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Two-octave scales (HT) random selection
-
G♯m (B), F♯m (A), D♯m (G♭), B ✓
- Ear Training Pattern ✓
REPERTOIRE
- J. S. Bach, “Minuet No.1,” BWV 822, from Suite in G Minor (1705?)
⟶ AABB form complete, mm. 1-48 @ 100-bpm
- Royal Conservatory of Music, Level 3 Études
- Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841)
⟶ mm. 1-8
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-38; 108-bpm
Friday, March 31st, 2023 (Day 256) 3 pomodoro cycles
FOUNDATIONS
- Chords:
-
Whole tone 251 drills
- ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
- BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
-
9th Chords, circle of fourths
- Majors, Type A (stacked 3rds) ✓
-
’Minor 11th (‘So What’) Chords
⟶ declining chromatic sequence: Cm11⟶Fm11
- Royal Conservatory of Music, Level 3 Technical:
-
Chromatic scale, one-octave starting on D, 80-bpm (HS) ✓
- Two-octave scales @ minimum 80-bpm (HT)
-
D minor, harmonic & melodic & F major (+ formula pattern & scales in 10ths) ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
F⟶Dm: broken @ 69-bpm, solid @ 120-bpm ✓
- Royal Conservatory of Music, Level 4 Technical:
-
Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
- Two-octave scales @ minimum 92-bpm (HT)
-
G, C, B minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
B♭, E♭, A, D majors (+ formula pattern & scales in 10ths) ✓
-
C harmonic minor formula pattern @ 92-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
D⟶B♭⟶Gm: broken @ 66-bpm, solid @ 132-bpm ✓
⟶ use half note authentic cadence (I-V-I) at end of each sequence
- Ear Training Pattern ✓
- Sight Reading: Level 1
- Exercises: Clementi Op.821:
- No.1, mm. 1-8 @ 52-bpm; No.2 ✓
- Royal Conservatory of Music, Level 5 Technical:
-
Chromatic scale, one-octave starting on A & F, 104-bpm (HT) ✓
- Two-octave scales @ minimum 104-bpm (HT)
-
F, E, A minors, harmonic & melodic ✓
⟶ include Herbie Hancock m11 chords
-
F, A♭, E majors ✓
-
A Major, A harmonic minor formula pattern @ 104-bpm ✓
- Tonic triads & inversions, broken & solid, two octaves ascending (HT)
-
A, Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
- Dominant 7th Chords, root-position arpeggios & inversions (HS)
-
A (E7): broken @ 72-bpm, solid @ 60-bpm
- Two Octave Tonic Arpeggios: A @ 80-bpm ✓
- Two-octave scales (HT) random selection
-
G♯m (B), D♭, G, C♯m (E), A♯m (D♭) ✓
REPERTOIRE
- J. S. Bach, “Minuet No.1,” BWV 822, from Suite in G Minor (1705?)
⟶ AABB form complete, mm. 1-48 @ 100-bpm
- Clementi, Op.36, No.1, “Sonatina in C Major”
- 1st movement (AABB form)
⟶ Section A, mm. 1-15; 126-bpm
⟶ Section B, mm. 16-38; 108-bpm
- Royal Conservatory of Music, Level 3 Études
- Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
⟶ Section A, mm. 1-8 @ 52-bpm
⟶ Section B, mm. 9-12, RH