Peter's Practice Log

:curling_stone:  Monday, February 20, 2023 (Day 217)  :clock6:  6 pomodoro cycles

FOUNDATIONS

  1. Whole tone 251 drills
    • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major
    • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major
  2. 9ᵗʰ Chords, circle of fourths
    • Majors, Type A (stacked 3ʳᵈˢ) & Type B (closed position) ✓
    • Minors, Type A (stacked 3ʳᵈˢ), Cm to D♭ on circle of fourths ✓
  3. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      B, G, C minors, harmonic & melodic
      D, A, B♭, E♭ majors (+ formula pattern & scales in 10ᵗʰˢ) ✓
    • C harmonic minor formula pattern @ 92-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      BmAE♭: broken @ 66-bpm, solid @ 132-bpm ✓
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  4. Exercises: Clementi Op.821, No.1: mm. 1-8 ✓
  5. Royal Conservatory of Music, Level 5 Technical:
    • Two-octave scales @ minimum 104-bpm (HT)
      A, E, F minors, harmonic & melodic
      E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7ᵗʰ Chords, root-position arpeggios & inversions (HS)
      A (E7): broken @ 72-bpm ✓
  6. Two-octave scales (HT) random selection
    A♯m, C♯m, D♭, G♭, F♯m

REPERTOIRE

  • Clementi, Op.36, No.1/i, “Sonatina in C Major”
    mm. 1-25; 120-bpm
  • “Angel Eyes” (Jim Brickman); mm. 1-22 @ 88-bpm
  • “Misty” complete ⟶ focus on mm. 23 & 24; w/ four-bar intro
  • “Grow Old With Me” (John Lennon, performed by Mary Chapin Carpenter)
    mm. 1-10

:curling_stone:  Tuesday, February 21, 2023 (Day 218)  :clock2:  2 pomodoro cycles

FOUNDATIONS

  1. Whole tone 251 drills
    • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
  2. 9ᵗʰ Chords, circle of fourths
    • Majors, Type A (stacked 3ʳᵈˢ) & Type B (closed position) ✓
  3. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      B, G, C minors, harmonic & melodic
      D, A, B♭, E♭ majors (+ formula pattern & scales in 10ᵗʰˢ) ✓
    • C harmonic minor formula pattern @ 92-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      E♭DBm: broken @ 66-bpm, solid @ 132-bpm ✓
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  4. Exercises: Clementi Op.821, No.1
    • No.1, mm. 1-8; No.2, mm. 1-4 ✓
  5. Royal Conservatory of Music, Level 5 Technical:
    • Two-octave scales @ minimum 104-bpm (HT)
      A, E, F minors, harmonic & melodic
      E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      AmAF w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7ᵗʰ Chords, root-position arpeggios & inversions (HS)
      A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
  6. Two-octave scales (HT) random selection
    Dm, G, C♯m, C, G♭, F♯m

REPERTOIRE

  • “Grow Old With Me” (John Lennon, performed by Mary Chapin Carpenter)
    mm. 1-13
  • “Angel Eyes” (Jim Brickman); mm. 1-22 @ 88-bpm
  • Clementi, Op.36, No.1/i, “Sonatina in C Major” (AABB form)
    Section A, mm. 1-15; 132-bpm
    Section B, mm. 16-30; 108-bpm

MUSIC

  • Andrew Fletcher, After You’ve Gone: Solo Piano, Vol. 1 (2015)

:curling_stone:  Wednesday, February 22, 2023 (Day 219)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Whole tone 251 drills
    • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major
  2. 9ᵗʰ Chords, circle of fourths
    • Majors, Type A (stacked 3ʳᵈˢ) & Type B (closed position)
  3. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      B, G, C minors, harmonic & melodic
      D, A, B♭, E♭ majors (+ formula pattern & scales in 10ᵗʰˢ) ✓
    • C harmonic minor formula pattern @ 92-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      B♭GmD: broken @ 66-bpm, solid @ 132-bpm ✓
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  4. Exercises: Clementi Op.821, No.1
    • No.1, mm. 1-8; No.2, mm. 1-4 ✓
  5. Royal Conservatory of Music, Level 5 Technical:
    • Two-octave scales @ minimum 104-bpm (HT)
      A, E, F minors, harmonic & melodic
      E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7ᵗʰ Chords, root-position arpeggios & inversions (HS)
      A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
  6. Two-octave scales (HT) random selection
    D♭, A♯m, G♭, Dm, C♯m

REPERTOIRE

  • Clementi, Op.36, No.1/i, “Sonatina in C Major” (AABB form)
    Section A, mm. 1-15; 132-bpm
    Section B, mm. 16-30; 108-bpm
  • “Grow Old With Me” (John Lennon, performed by Mary Chapin Carpenter)
    mm. 1-13

:curling_stone:  Thursday, February 23, 2023 (Day 220)  :clock4:  4 pomodoro cycles

FOUNDATIONS

  1. Whole tone 251 drills
    • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
  2. 9ᵗʰ Chords, circle of fourths
    • Majors, Type A (stacked 3ʳᵈˢ) & Type B (closed position) ✓
  3. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      B, G, C minors, harmonic & melodic
      D, A, B♭, E♭ majors (+ formula pattern & scales in 10ᵗʰˢ & 6ᵗʰˢ) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      DBmE♭: broken @ 66-bpm, solid @ 132-bpm ✓
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  4. Exercises: Clementi Op.821, No.1
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-4 ✓
  5. Royal Conservatory of Music, Level 5 Technical:
    • Two-octave scales @ minimum 104-bpm (HT)
      A, E, F minors, harmonic & melodic
      E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7ᵗʰ Chords, root-position arpeggios & inversions (HS)
      A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
  6. Two-octave scales (HT) random selection
    C♯m , F♯m, D♭, D♯m, Dm

COURSES / LESSONS

  • ↻ Extended Chords & Voicings course: ‘So What’ Chord Voicing

REPERTOIRE

  • Clementi, Op.36, No.1/i, “Sonatina in C Major” (AABB form)
    Section A, mm. 1-15; 132-bpm
    Section B, mm. 16-30; 108-bpm
  • “Grow Old With Me” (John Lennon, performed by Mary Chapin Carpenter)
    mm. 1-13
  • “Angel Eyes” (Jim Brickman); mm. 1-28 @ 88-bpm
    focus on mm. 21-28; 88-bpm

:curling_stone::  Friday, February 24, 2023 (Day 221)  :clock2:  2 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9ᵗʰ Chords, circle of fourths
      • Majors, Type A (stacked 3ʳᵈˢ) & Type B (closed position)
    • ’Minor 11ᵗʰ (‘So What’) Chords
       ⟶ chromatic sequence: Cm11, Bm11, B♭m11, Am11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ᵗʰˢ) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • GmDB♭: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Technique Exercises:
    • Clementi Op.821, No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-4 ✓

REPERTOIRE

  • Clementi, Op.36, No.1/i, “Sonatina in C Major” (AABB form)
    Section A, mm. 1-15; 132-bpm
    Section B, mm. 16-30; 108-bpm
  • “Grow Old With Me” (John Lennon, performed by Mary Chapin Carpenter)
    mm. 1-13

:curling_stone:  Saturday, February 25, 2023 (Day 222)  :clock5:  5 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9ᵗʰ Chords, circle of fourths
      • Majors, Type A (stacked 3ʳᵈˢ) & Type B (closed position)
    • ’Minor 11ᵗʰ (‘So What’) Chords
       ⟶ chromatic sequence: Cm11, Bm11, B♭m11, Am11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ᵗʰˢ) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • E♭B♭Bm: broken @ 66-bpm, solid @ 132-bpm
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
  4. Royal Conservatory of Music, Level 5 Technical:
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7ᵗʰ Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
  5. Two-octave scales (HT) random selection
    • A♯m , F♯m, B, C♯m, G

REPERTOIRE

  • “Grow Old With Me” (John Lennon, performed by Mary Chapin Carpenter)
    mm. 1-13
  • Clementi, Op.36, No.1/i, “Sonatina in C Major” (AABB form)
    Section A, mm. 1-15; 132-bpm
    Section B, mm. 16-30; 108-bpm
  • “Misty” complete ⟶ focus on mm. 23 & 24

:curling_stone:  Sunday, February 26, 2023 (Day 223)  :clock4:  4 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9ᵗʰ Chords, circle of fourths
      • Majors, Type A (stacked 3ʳᵈˢ) & Type B (closed position) ✓
    • ’Minor 11ᵗʰ (‘So What’) Chords
       ⟶ chromatic sequence: Cm11, Bm11, B♭m11, Am11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ᵗʰˢ) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • E♭GmA: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓

REPERTOIRE

  • “Grow Old With Me” (John Lennon, as performed by Mary Chapin Carpenter)
    mm. 1-27 @ 80-bpm

:maple_leaf:  Monday, February 27, 2023 (Day 224)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9ᵗʰ Chords, circle of fourths
      • Majors, Type A (stacked 3ʳᵈˢ) & Type B (closed position)
    • ’Minor 11ᵗʰ (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Am11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ᵗʰˢ) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • GmBmA: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
  4. Royal Conservatory of Music, Level 5 Technical:
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7ᵗʰ Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
  5. Two-octave scales (HT) random selection
    • B, G♭, D♭, D♯m , G
  6. Ear Training Pattern

REPERTOIRE

  • “Grow Old With Me” (John Lennon, as performed by Mary Chapin Carpenter)
    mm. 1-27 @ 80-bpm
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form) (25-mins)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-30; 108-bpm
    • 2nd movement: ⟶ mm. 1-6

:maple_leaf:  Tuesday, February 28, 2023 (Day 225)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:nd
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9ᵗʰ Chords, circle of fourths
      • Majors, Type A (stacked 3rds) & Type B (closed position) ✓
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Am11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave beginning on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
         ⟶ in D Major, scales in 6ths and double 3rds
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • BmAGm: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
  4. Two-octave scales (HT) random selection
    • D♭, G♭, A♯m , B, G♯m
  5. Ear Training Pattern ✓

REPERTOIRE

  • “Grow Old With Me” (John Lennon, as performed by Mary Chapin Carpenter)
    mm. 1-27 @ 80-bpm
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-30; 108-bpm
    • 2nd movement: ⟶ mm. 1-6

MUSIC

  • David Hazeltine, “I’ll Let You Know,” from The New Classic Trio (2012)

:maple_leaf:  Wednesday, March 1, 2023 (Day 226)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) & Type B (closed position) ✓
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Am11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • B♭E♭A: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm ✓; No.2, mm. 1-8 (RH)
  4. Ear Training Pattern
  5. Royal Conservatory of Music, Level 5 Technical:
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors
    • A Major, A harmonic minor formula pattern @ 104-bpm
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm
  6. Two-octave scales (HT) random selection
    • C♯m, F♯m, D♯m, D♭, B

REPERTOIRE

  • “Grow Old With Me” (John Lennon, as performed by Mary Chapin Carpenter)
    mm. 1-27 @ 80-bpm
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-30; 108-bpm
    • 2nd movement: ⟶ mm. 1-9

:maple_leaf:  Thursday, March 2, 2023 (Day 227)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) & Type B (closed position) ✓
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Am11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • AE♭B♭: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm ✓
  4. Royal Conservatory of Music, Level 5 Technical:
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
  5. Two-octave scales (HT) random selection
    • G♯m, D♯m, B, A♯m, Dm, G
  6. Ear Training Pattern

REPERTOIRE

  • “Grow Old With Me” (John Lennon, as performed by Mary Chapin Carpenter)
    AABA form; Section A, mm. 1-27 @ 80-bpm
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-31; 108-bpm
    • 2nd movement: ⟶ mm. 1-9

:curling_stone:  Friday, March 3rd, 2023 (Day 228)  :clock2:  2 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) ✓
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Gm11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • AGmB♭: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
    • Two Octave Tonic Arpeggios: A @ 80-bpm ✓
  5. Two-octave scales (HT) random selection
    • C♯m, D♯m, B, A♯m, D♭, G
  6. Ear Training Pattern

REPERTOIRE

  • “Grow Old With Me” (John Lennon, as performed by Mary Chapin Carpenter)
    AABA form; Section A, mm. 1-27 @ 80-bpm
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-31; 108-bpm
    • 2nd movement: ⟶ mm. 1-10

:snowflake:  Saturday, March 4th, 2023 (Day 229)  :clock2:  2 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) & Type B (closed position) ✓
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Gm11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • GmAE♭: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
    • Two Octave Tonic Arpeggios (HS): A @ 80-bpm
  5. Two-octave scales (HT) random selection
    • C♯m, Dm, G♯m, F♯m, D♭
  6. Ear Training Pattern ✓

REPERTOIRE

  • “Grow Old With Me” (John Lennon), AABA form
    Section A, mm. 1-28 @ 80-bpm
    Section B, mm. 29-33
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-31; 108-bpm
    • 2nd movement: ⟶ mm. 1-10

:curling_stone:  Sunday, March 5th, 2023 (Day 230)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) & Type B (closed position)
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Gm11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths)
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • BmB♭Gm: broken @ 66-bpm, solid @ 132-bpm
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors
    • A Major, A harmonic minor formula pattern @ 104-bpm
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm
    • Two Octave Tonic Arpeggios: A @ 80-bpm ✓
  5. Two-octave scales (HT) random selection
    • F♯m, C♯m, G♯m, G♭, B
  6. Ear Training Pattern

REPERTOIRE

  • “Grow Old With Me” (John Lennon), AABA form
    Section A, mm. 1-28 @ 80-bpm
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-31; 108-bpm
    • 2nd movement: ⟶ mm. 1-10

:curling_stone:  Monday, March 6th, 2023 (Day 231)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) & Type B (closed position)
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Gm11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • DBmA: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors
    • A Major, A harmonic minor formula pattern @ 104-bpm
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm
    • Two Octave Tonic Arpeggios: A @ 80-bpm ✓
  5. Two-octave scales (HT) random selection
    • D♯m, G♭, D♭, A♯m, G
  6. Ear Training Pattern ✓

REPERTOIRE

  • “Grow Old With Me” (John Lennon), AABA form
    Section A, mm. 1-27 @ 80-bpm
    Section B, mm. 28-33
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-31; 108-bpm
    • 2nd movement: ⟶ mm. 1-12 @ 54-bpm

:curling_stone:  Tuesday, March 7th, 2023 (Day 232)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • AB♭D: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
  5. Two-octave scales (HT) random selection
    • C♯m, D♭, F♯m, Dm
  6. Ear Training Pattern

REPERTOIRE

  • “Grow Old With Me” (John Lennon), AABA form
    Section A, mm. 1-27 @ 80-bpm
    Section B, mm. 28-33
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 123-bpm
       ⟶ Section B, mm. 16-31; 108-bpm
    • 2nd movement: ⟶ mm. 1-12 @ 54-bpm

:curling_stone:  Wednesday, March 8th, 2023 (Day 233)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) & Type B (closed position)
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Gm11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • B♭E♭Bm: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH) ✓
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
  5. Two-octave scales (HT) random selection
    • F♯m, G, B, C♯m, Dm
  6. Ear Training Pattern

REPERTOIRE

  • “Grow Old With Me” (John Lennon), AABA form
    Section A, mm. 1-27 @ 80-bpm
    Section B, mm. 28-33
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-23; 108-bpm
    • 2nd movement: ⟶ mm. 1-12 @ 54-bpm

MUSIC

  • Yeol Eum Sun, Kapustin (2021)
  • Hélène Grimaud, Beethoven (2007)

:curling_stone:  Thursday, March 9th, 2023 (Day 234)  :clock4:  4 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) ✓
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Gm11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • DAB♭: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT) ✓
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
    • Two Octave Tonic Arpeggios: A @ 80-bpm
  5. Two-octave scales (HT) random selection
    • D♯m, B, F♯m, G
  6. Ear Training Pattern ✓

REPERTOIRE

  • “Grow Old With Me” (John Lennon), AABA form
    Section A, mm. 1-27 @ 80-bpm
    Section B, mm. 28-33
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-23; 108-bpm
    • 2nd movement: ⟶ mm. 1-12 @ 54-bpm
  • “The Holly and the Ivy” (Traditional); mm. 1-3

:curling_stone: :ice_hockey: :golf:  Friday, March 10th, 2023 (Day 235)  :clock3:  3 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) & Type B (closed position) ✓
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Gm11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • ABmE♭: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT)
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors
    • A Major, A harmonic minor formula pattern @ 104-bpm
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm
    • Two Octave Tonic Arpeggios: A @ 80-bpm
  5. Two-octave scales (HT) random selection
    • D♭, Dm, C♯m, F♯m
  6. Ear Training Pattern

REPERTOIRE

  • “Grow Old With Me” (John Lennon), AABA form
    Section A, mm. 1-27 @ 80-bpm
    Section B, mm. 28-33
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-23; 108-bpm
    • 2nd movement: ⟶ mm. 1-12 @ 54-bpm

:curling_stone: :golf:  Saturday, March 11th, 2023 (Day 236)  :clock4:  4 pomodoro cycles

FOUNDATIONS

  1. Chords:
    • Whole tone 251 drills
      • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
      • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
    • 9th Chords, circle of fourths
      • Majors, Type A (stacked 3rds) ✓
    • ’Minor 11th (‘So What’) Chords
       ⟶ declining chromatic sequence: Cm11⟶Gm11
  2. Royal Conservatory of Music, Level 4 Technical:
    • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT) ✓
    • Two-octave scales @ minimum 92-bpm (HT)
      • B, G, C minors, harmonic & melodic
      • C harmonic minor formula pattern @ 92-bpm ✓
      • D, A, B♭, E♭ majors (+ formula pattern & scales in 10ths) ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • BmDA: broken @ 66-bpm, solid @ 132-bpm ✓
         ⟶ use half note authentic cadence (I-V-I) at end of each sequence
  3. Exercises: Clementi Op.821:
    • No.1, mm. 1-8 @ 52-bpm; No.2, mm. 1-8 (RH)
  4. Royal Conservatory of Music, Level 5 Technical:
    • Chromatic scale, one-octave starting on A, 104-bpm (HT)
    • Two-octave scales @ minimum 104-bpm (HT)
      • A, E, F minors, harmonic & melodic
      • E, F, A♭ majors ✓
    • A Major, A harmonic minor formula pattern @ 104-bpm ✓
    • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
      • Am w/ I-V-I cadence: broken @ 66-bpm, solid @ 132-bpm ✓
    • Dominant 7th Chords, root-position arpeggios & inversions (HS)
      • A (E7): broken @ 72-bpm, solid @ 60-bpm ✓
  5. Ear Training Pattern ✓

REPERTOIRE

  • “Grow Old With Me” (John Lennon), AABA form
    Section A, mm. 1-27 @ 80-bpm
    Section B, mm. 28-33
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1st movement (AABB form)
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-23; 108-bpm
    • 2nd movement: ⟶ mm. 1-12 @ 54-bpm
  • “The Holly and the Ivy” (Traditional); mm. 1-6