Share Your Music, Recordings, & Performances šŸŽµ

It is very nice of you to make such positive remarks on my play and its method.
There are still lots of things to learn ahead and I keep moving forword little by little.

Ok. I am looking forword to those new Christmas songs. Iā€™ll check them out
when theyā€™re ready. Thank you, Hayden.

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Lyndol & Hayden ā€œThere Will Never Be Another Youā€

Thought Iā€™d post this here too: :smiley: enjoy!

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lovely :sunglasses: interpretation

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This morning i hear those lovely colors after playing some Kenny Barron voicing. And i record it in dressing gown, my dog just sitting next me for adding even more emotion :rofl:

https://youtu.be/kfdgYa8XNkY

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Nicely done, Pierre.

If you donā€™t mind, could you share what you are using to record the video and audio on the clips youā€™ve been posting recently?

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Thanks Scott :grin:

heres my answer Devices and software for posting our videos

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Wowā€¦ beautiful harmonies and colours Pierre :ok_hand: :ok_hand:

that would be a lovely introduction for a balladā€¦

In A Sentimental Mood Springs Mood spring to mind because it starts with the 11 in the melody over the D-, and so those Kenny Barron voicings will set the ā€˜moodā€™ beautifully :grinning:

I will play around with this today and post a video back.

Hey Pierre,

Further to my comments above, hereā€™s a demonstration of how I would apply your ideas as an introduction to the tune ā€œIn A Sentimental Moodā€ :

Thanks for posting your wonderful video, when I saw it this morning it inspired me to take things to the next level here in the forumā€¦

Personalised Feedback & Collaboration

My role here as the Community Manager is to encourage participation and collaboration to inspire us all to become better jazz musicians.

Moving forward, anything submitted in the forum I will provide personal feedback and guidance. Iā€™d love to hear what youā€™re all working on and Iā€™m more than happy to share my insights, advice and opinions.

This is exactly where @Dan comes into play. Dan set up the above shot for me, and edited the video. We have (in my opinion :grinning:) the worldā€™s most talented videographer, editor, & director, now putting all of his creativity and energy into PianoGroove. This is exactly the kind of thing where I knew he would add real value to what weā€™re doing here.

I welcome and invite all members of our community to post the things you are working on, and letā€™s drive forward this collaborative movement in online music education.

PianoGroove Live Streams

Also, Iā€™m totally onboard with @Pierrot and @ivanā€™s ideas for a ā€˜live steamā€™ aspect in the forum. You have both suggested this and I think itā€™s a fantastic idea. Dan and myself will make this a reality :sunglasses:

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nice idea Thanks so much to take the time to create idea in video so quickly ! :sunglasses:

great to hear that !

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That was fun to watch and learn. My brain and ear donā€™t automatically know the alterations (that my hands seem to find on their own) and I have to stop and think about what you say. But Iā€™m working on Laura right now and doing my best NOT to plow ahead just learning the tune ā€” but actually sitting on one section of the video for a longer while and viewing and saying out aloud ā€œ flat 9, sharp 11 ā€œ and such. Thank you so much for all your hard work Hayden!
Top Quality!!

I love your sweet dog. Mine looked just like that
Nice piano playing Pierre. Lovely touch.

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Thanks Lori!

This has given me a nice idea for a 5-min masterclassā€¦ I will record it tomorrow. Hereā€™s the exercise I will outline:

Take any 251, and place the alteration at the top of the V7 chord, start with b9, then #9, then #11, then #5. Play the top note repeatedly, and really listen to the colour/texture/tension that is created, and where it wants to resolveā€¦ That is a nice exercise to develop aural recognition of altered tensions.

When thereā€™s multiple alterations in the chord - ie. Upper Structure Triads - it can be harder to discern each tension/colour individually. That comes with time. But on their on their own, they are much easier to distinguish.

Enjoy playing Lauraā€¦ such a beautiful tune!

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Lori ā€¦
please ā€¦ share your playing of Laura ā€¦ :v:

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My friend, it takes me a loooong time to learn a tuneā€¦ I will try and share one I actually can play. :joy:. I promise I will figure out how to record something. You have been an inspiration.

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Hey Lori ā€¦ Trust me sharing our playing here ā€¦ is a great booster for improving ā€¦ we just need to put our ego aside , i admit :rofl: ā€¦ but thats an incredible starter for playing more .

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Fantastic introduction. Thanks again.

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Wow! I loved the chords you played, and the ending was very beautiful! Very good taste.

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Lori. Very lovely. You under rate yourself. A lovely arrangement. All the effort is paying off!

Iā€™m envious!

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You should know that four years ago I could not have done anything like this! 85% of my piano abilities flourished by learning TUNES on PianoGrooveā€¦ I completely ignored the theory lessons, because I feared they would be boring and all I wanted to do was learn a song. But with each tune I slowly (inadvertently) absorbed some root,1,3,7 knowledge and my hands began naturally grabbing those voicings from the lesson. I STILL lack a lot of understanding, but I get to enjoy playing tunes that I have learned and memorized.
Hayden has put forth an amazing volume of instruction. We are blessed.

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Likewise. Iā€™ve spent my time learning the tunes based on the video without looking deeply into the theory. Like you I tend to play the tunes each day that Iā€™ve learnt so that I donā€™t forget (haha) and still in several tunes still refer to the transcription.

While there are some learnings on my part, maybe I need to revisit the theory thatā€™s referred to in each tune rather than mirroring what has been transcribed by Hayen.

I agree, Haydenā€™s style and teachings have helped me to get back to playing after so many years where my career took over (over 10+ years) and now learning again which is tough (especially Jazz chords, 251.s etc and applying them).

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