Peter's Practice Log

[goforasong]

  Friday, April 21^th, 2023 (Day 277)    3 pomodoro cycles

FOUNDATIONS

1. Chords:
   • 9^th Chords, circle of fourths
     • Majors, Type A (stacked 3^rds) & Type B (closed position)
   • ’Minor 11^th (‘So What’) Chords
      ⟶ declining chromatic sequence: Cm¹¹⟶Fm¹¹
   • Whole tone 251 drills
     • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
     • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • E♭⟶Gm⟶D: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern
5. Sight Reading: Level 1

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
  • Ludvig Schytte, Op.108, No.19, “Étude in G Major” (1898) ⟶ mm. 1-4 (HT)
• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm

[goforasong]

  Saturday, April 22^th, 2023 (Day 278)    3 pomodoro cycles

FOUNDATIONS

1. Chords:
   • F Major scale: 9^ths, minor 11^ths & ‘So What’ 11^ths
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • B♭⟶Bm⟶Gm: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)
  • Ludvig Schytte, Op.108, No.19, “Étude in G Major” (1898) ⟶ mm. 1-4 (HT)
• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm

MUSIC

• Mozart, Rondo in A Minor, K. 511 [Alfred Brendel, 1996]
• Beethoven, Piano Sonata No. 32 in C Minor, Op. 111 [Barenboim, 2012]

[goforasong]

  Sunday, April 23^th, 2023 (Day 279)    4 pomodoro cycles

FOUNDATIONS

1. Chords:
   • F Major scale: 9^ths, minor 11^ths & ‘So What’ 11^ths
     ⟶ Fmaj⁹, Gm⁹, Am^7(♭9), B♭maj⁹, C9, Dm⁹
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • D⟶Gm⟶E♭: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern
5. Sight Reading: Level 1

REPERTOIRE

• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm
• “Grow Old With Me” (John Lennon), AABA form
  ⟶ Section A, mm. 1-27 @ 80-bpm
• Royal Conservatory of Music, Level 3 Études
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)
• “Misty” ⟶ Chord extensions, lead in + mm. 1-17

MUSIC

• Beethoven, Piano Sonata No. 18 in E Flat, Op. 31, No. 3, “The Hunt” [Arrau, 1998]
• The North Sea Trio, “Imagination” (2022)

[goforasong]

  Monday, April 24^th, 2023 (Day 280)    3 pomodoro cycles

FOUNDATIONS

1. Chords:
   • F Major scale: 9^ths, minor 11^ths & ‘So What’ 11^ths
     ⟶ Fmaj⁹, Gm⁹ [Gm¹¹], Am^7(♭9), B♭maj⁹, C9, Dm⁹
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • E♭⟶Gm⟶D: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern
5. Sight Reading: Level 1

REPERTOIRE

• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm
• “Grow Old With Me” (John Lennon), AABA form
  ⟶ Section A, mm. 1-27 @ 80-bpm
• Royal Conservatory of Music, Level 3 Études
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-16 @ 46-bpm (HT)

MUSIC

• Haydn, Piano Sonata No. 31 in A Flat Major, Hob. XVI/46 [Bavouzet, 2020]
• Natalie Cole, “L-O-V-E,” from Unforgettable…With Love (1991)
• Blossom Dearie, “Tea for Two,” from Once Upon a Summertime (1959)

[goforasong]

  Tuesday, April 25^th, 2023 (Day 281)    3 pomodoro cycles

FOUNDATIONS

1. Chords:
   • F Major scale: 9^ths, minor 11^ths & ‘So What’ 11^ths
     ⟶ Fmaj⁹, Gm⁹ [Gm¹¹], Am^7(♭9), B♭maj⁹, C9, Dm⁹, Em^7add(m2)
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • E♭⟶Gm⟶B: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-16 @ 46-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)
• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm
• “Grow Old With Me” (John Lennon), AABA form
  ⟶ Section A, mm. 1-27 @ 80-bpm
• “Misty” ⟶ Chord extensions, lead in + mm. 1-17

[goforasong]

  Wednesday, April 26^th, 2023 (Day 282)    3 pomodoro cycles

FOUNDATIONS

1. Chords:
   • F Major scale: 9^ths, minor 11^ths & ‘So What’ 11^ths
     ⟶ Fmaj⁹, Gm⁹ [Gm¹¹], Am^7(♭9), B♭maj⁹, C9, Dm⁹, Em^7add(m2)
   • Whole tone 251 drills
     • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
     • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • E♭⟶Gm⟶D: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern
5. Sight Reading: Level 1

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-16 @ 46-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)
• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm

[goforasong]

  Thursday, April 27^th, 2023 (Day 283)    3 pomodoro cycles

FOUNDATIONS

1. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
2. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • B♭⟶Bm⟶Gm: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-24 @ 52-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)
• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm
• “Grow Old With Me” (John Lennon), AABA form
  ⟶ Section A, mm. 1-27 @ 80-bpm

MUSIC

• Beethoven, Piano Sonata No. 13 in E Flat Major, Op. 27 No. 1 [Barenboim, 2012]
• The Jazz Cultivators, “Almost Like Being in Love” (single, 2023)

[goforasong]

  Friday, April 28^th, 2023 (Day 284)    2 pomodoro cycles

FOUNDATIONS

1. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
2. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Bm⟶E♭⟶B♭: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-24 @ 52-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)

[goforasong]

  Saturday, April 29^th, 2023 (Day 285)    1 pomodoro cycles

FOUNDATIONS

1. Chords:
   • 9^th Chords, circle of fourths
     • Majors, Type A (stacked 3^rds) & Type B (closed position)
   • ’Minor 11^th (‘So What’) Chords
      ⟶ declining chromatic sequence: Cm¹¹⟶Fm¹¹
   • Whole tone 251 drills
     • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
     • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Gm⟶Bm⟶D: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern
5. Sight Reading: Level 1

REPERTOIRE

• Albert Biehl, Sonatina, Op. 57, No. 1
  ⟶ 1^st movement; mm. 1-8
• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-24 @ 52-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)
• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm
• “Misty” ⟶ Chord extensions, lead in + mm. 1-17

[goforasong]

  Sunday, April 30^th, 2023 (Day 286)    3 pomodoro cycles

FOUNDATIONS

1. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
2. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Gm⟶E♭⟶B♭: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

COURSES / LESSONS

• ↻ Extended Chords & Voicings course: Jazz Piano Chord Extensions 9, 11 & 13

REPERTOIRE

• Albert Biehl, Sonatina, Op. 57, No. 1, AABB form
  ⟶ 1^st movement; Section A, mm. 1-16
• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-24 @ 52-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-20 @ 52-bpm (HT)
• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm
• “Grow Old With Me” (John Lennon), AABA form
  ⟶ Section A, mm. 1-27 @ 80-bpm
• “Misty” ⟶ Chord extensions, lead in + mm. 1-17

[goforasong]

  Monday, May 1^st, 2023 (Day 287)    3 pomodoro cycles

FOUNDATIONS

1. Chords:
   • 9^th Chords, circle of fourths
     • Majors, Type A (stacked 3^rds) & Type B (closed position)
   • ’Minor 11^th (‘So What’) Chords
      ⟶ declining chromatic sequence: Cm¹¹⟶Fm¹¹
   • Whole tone 251 drills
     • ABA Form ⇒ C Major to D Major; D♭ Major to E♭ Major ✓
     • BAB Form ⇒ C Major to D Major; D♭ Major to E♭ Major
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Bm⟶B♭⟶D: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 52-bpm (HT)
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-24 @ 60-bpm (HT)
• Clementi, Op.36, No.1, “Sonatina in C Major”
  • 1^st movement, AABB form
     ⟶ Section A, mm. 1-15; 139-bpm
     ⟶ Section B, mm. 16-34; 132-bpm
• Albert Biehl, Sonatina, Op. 57, No. 1, AABB form
  ⟶ 1^st movement; Section A, mm. 1-16

MUSIC

• Rob van Bavel, “De Tor Ahead,” from Time for Ballads: The Maene Sessions (2023)

[goforasong]

  Tuesday, May 2^nd, 2023 (Day 288)    3 pomodoro cycles

FOUNDATIONS

1. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
2. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • D⟶Gm⟶E♭: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 52-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 52-bpm (HT)
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-24 @ 60-bpm (HT)
• Royal Conservatory of Music, Level 3 Repertoire
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1^st movement, AABB form
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-34; 132-bpm
  • Melody Bober, “Ragtime Cha-Cha” (2022) ⟶ mm. 1-8 (HT)
• Albert Biehl, Sonatina, Op. 57, No. 1, AABB form
  ⟶ 1^st movement; Section A, mm. 1-16
• “Grow Old With Me” (John Lennon), AABA form
  ⟶ Section A, mm. 1-27 @ 80-bpm
• “Misty” ⟶ Chord extensions, lead in + mm. 1-17
     | Fm¹¹ B♭m¹³ |₁ E♭maj⁷ |₂ B♭m⁹ E♭¹³ |₃ A♭maj⁷ |₄ A♭m⁹ D♭¹³ |
     |₅ E♭maj⁷ Fm⁷ Gm⁷ Cm⁹ |₆ Fm⁹ B♭⁹ |₇ G⁷ C⁷ |₈ F⁷ B♭⁷ |
     |₉ E♭¹³ |₁₀ B♭m⁷ E♭¹³ |₁₁ A♭maj⁷ |₁₂ A♭m¹¹ D♭¹³ |₁₃ E♭maj⁷ Cm⁷ |
     |₁₄ Fm⁹ B♭⁷ |₁₅ E♭⁶ B♭^13(sus4) |
     |₁₆ E♭⁶ |₁₇ B♭m⁷ B♭m^(maj7) |₁₈ B♭m⁷ 

MUSIC

• Nat King Cole Trio, “I Miss You So” (1947)

[goforasong]

  Wednesday, May 3^rd, 2023 (Day 289)    4 pomodoro cycles

FOUNDATIONS

1. Chords:
   • 9^th Chords, circle of fourths
     • Majors, Type A (stacked 3^rds) & Type B (closed position)
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Bm⟶D⟶Gm: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

COURSES / LESSONS

• Comments to Extended Chords & Voicings course: Jazz Piano Chord Extensions 9, 11 & 13

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 69-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 60-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 52-bpm (HT)
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-24 @ 60-bpm (HT)
• Royal Conservatory of Music, Level 3 Repertoire
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1^st movement, AABB form
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-34; 132-bpm
  • Melody Bober, “Ragtime Cha-Cha” (2022) ⟶ mm. 1-8 (HT)
• Albert Biehl, Sonatina, Op. 57, No. 1, AABB form
  ⟶ 1^st movement; Section A, mm. 1-16

NOTES

If the 7^th is not in the chord, then the 11^th would become the 4^th and often replace the 3^rd to create a suspended 4^th.

If you have a 7^th but no 9^th, the chord would still be referred to as an 11^th chord because the 7^th is present and the 11^th is the highest extension. We always name the chord by the highest extension. If the chord contains the 7^th, 9^th and 11^th, then it is still an 11^th chord.

[goforasong]

  Thursday, May 4^th, 2023 (Day 290)    4 pomodoro cycles

FOUNDATIONS

1. Chords:
   • 9^th Chords, circle of fourths
     • Majors, Type A (stacked 3^rds) & Type B (closed position)
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • F⟶Dm: broken @ 69-bpm, solid @ 120-bpm
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Bm⟶D⟶Gm: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

COURSES / LESSONS

• Comments to Extended Chords & Voicings course:
    Jazz Piano Chord Extensions 9, 11 & 13 lesson

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCC form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 60-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 60-bpm (HT)
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981) ⟶ mm. 1-24 @ 60-bpm (HT)
• Royal Conservatory of Music, Level 3 Repertoire
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1^st movement, AABB form
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-34; 132-bpm

MUSIC

• Bruce Willmington & Co, “Chances Are” (single, 2022)
• Brian Simpson, “Something About You,” from Something About You (2018)

NOTES

In jazz, the harmony is constantly modulating and shifting keys. It’s common for a jazz standard to go through many different keys within eight bars or less. Therefore, its much easier to analyze everything numerically.

No matter what key you are playing in, we always analyze the notes in relation to the major scale, and so the 4^th note of the major scale is the natural 11^th – irrelevant of whether there are sharps or flats in the key signature. Remember the aim is to learn the scales numerically, so that you get a functional understanding of what you are playing.

[goforasong]

  Friday, May 5^th, 2023 (Day 291)    4 pomodoro cycles

FOUNDATIONS

1. Chords:
   • 9^th Chords, circle of fourths
     • Majors, Type A (stacked 3^rds) & Type B (closed position)
        ⟶ circle of fourths: Cmaj⁹ to D♭maj⁹
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
   • F ⇒ Dm: broken @ 69-bpm, solid @ 120-bpm
      ⟶ use half note authentic cadence (I-V-I) at end of each sequence
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Bm ⇒ E♭ ⇒ D: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981)
    ⟶ mm. 25-29 @ 60-bpm (HS, HT)
    ⟶ mm. 1-24 @ 60-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCCAABB form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 60-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 60-bpm (HT)
• Royal Conservatory of Music, Level 3 Repertoire
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1^st movement, AABB form
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-34; 132-bpm

[goforasong]

  Saturday, May 6^th, 2023 (Day 292)    4 pomodoro cycles

FOUNDATIONS

1. Chords:
   • 9^th Chords, circle of fourths
   • Majors, Type A (stacked 3^rds) & Type B (closed position)
      ⟶ circle of fourths: Cmaj⁹⟶D♭maj⁹
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
   • F ⇒ Dm: broken @ 69-bpm, solid @ 120-bpm
      ⟶ use half note authentic cadence (I-V-I) at end of each sequence
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Gm ⇒ B♭ ⇒ E♭: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981)
    ⟶ mm. 25-29 @ 60-bpm (HS, HT)
    ⟶ mm. 1-24 @ 60-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCCAABB form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 60-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 60-bpm (HT)
• Royal Conservatory of Music, Level 3 Repertoire
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1^st movement, AABB form
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-34; 132-bpm

[goforasong]

  Sunday, May 7^th, 2023 (Day 293)    3 pomodoro cycles

FOUNDATIONS

1. Chords:
   • 9^th Chords, circle of fourths
     • Majors, Type A (stacked 3^rds) & Type B (closed position)
        ⟶ circle of fourths: Cmaj⁹⟶D♭maj⁹
2. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
   • F ⇒ Dm: broken @ 69-bpm, solid @ 120-bpm
      ⟶ use half note authentic cadence (I-V-I) at end of each sequence
3. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • D ⇒ Bm ⇒ E♭: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
4. Ear Training Pattern

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981)
    ⟶ mm. 25-29 @ 60-bpm (HS, HT)
    ⟶ mm. 1-24 @ 60-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCCAABB form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 60-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 60-bpm (HT)
• Royal Conservatory of Music, Level 3 Repertoire
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1^st movement, AABB form
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-34; 132-bpm

[goforasong]

  Monday, May 8^th, 2023 (Day 294)    2 pomodoro cycles

FOUNDATIONS

1. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
   • F ⇒ Dm: broken @ 69-bpm, solid @ 120-bpm
      ⟶ use half note authentic cadence (I-V-I) at end of each sequence
2. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • Gm ⇒ E♭ ⇒ Bm: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981)
    ⟶ mm. 25-29 @ 60-bpm (HS, HT)
    ⟶ mm. 1-24 @ 60-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCCAABB form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 60-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 60-bpm (HT)
• Royal Conservatory of Music, Level 3 Repertoire
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1^st movement, AABB form
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-34; 132-bpm

[goforasong]

  Tuesday, May 9^th, 2023 (Day 295)    2 pomodoro cycles

FOUNDATIONS

1. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
   • F ⇒ Dm: broken @ 69-bpm, solid @ 120-bpm
      ⟶ use half note authentic cadence (I-V-I) at end of each sequence
2. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981)
    ⟶ mm. 25-29 @ 60-bpm (HS, HT)
    ⟶ mm. 1-24 @ 60-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCCAABB form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 60-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 60-bpm (HT)
• Royal Conservatory of Music, Level 3 Repertoire
  • Clementi, Op.36, No.1, “Sonatina in C Major”
    • 1^st movement, AABB form
       ⟶ Section A, mm. 1-15; 139-bpm
       ⟶ Section B, mm. 16-34; 132-bpm
• “Misty” ⟶ Chord extensions, lead in + mm. 1-17

[goforasong]

  Wednesday, May 10^th, 2023 (Day 296)    1 pomodoro cycles

FOUNDATIONS

1. Royal Conservatory of Music, Level 3 Technical:
   • Chromatic scale, one-octave starting on D, 80-bpm (HS)
   • Two-octave scales @ minimum 80-bpm (HT)
     • D minor, harmonic & melodic & F major (+ formula pattern & scales in 10^ths)
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
   • F ⇒ Dm: broken @ 69-bpm, solid @ 120-bpm
      ⟶ use half note authentic cadence (I-V-I) at end of each sequence
2. Royal Conservatory of Music, Level 4 Technical:
   • Chromatic scale, one-octave starting on C, 104-bpm (HS, HT)
   • Two-octave scales @ minimum 92-bpm (HT)
     • G, C, B minors, harmonic & melodic
        ⟶ include Herbie Hancock m¹¹ chords
     • B♭, E♭, A, D majors (+ formula pattern & scales in 10^ths)
   • C harmonic minor formula pattern @ 92-bpm
   • Tonic triads & inversions, broken & solid, two octaves ascending (HT)
     • E♭ ⇒ B♭ ⇒ D: broken @ 66-bpm, solid @ 132-bpm
        ⟶ use half note authentic cadence (I-V-I) at end of each sequence
3. Ear Training Pattern
4. Sight Reading: Level 1

REPERTOIRE

• Royal Conservatory of Music, Level 3 Études
  • Elvina Pearce, “Prelude No. 4 in F Major” (1981)
    ⟶ mm. 25-29 @ 60-bpm (HS, HT)
    ⟶ mm. 1-24 @ 60-bpm (HT)
  • Henry Lemoine, Op.37, No.17, “Étude in D Major” (1841), AABBCCAABB form
    ⟶ Section A, mm. 1-8 @ 60-bpm (HT)
    ⟶ Section B, mm. 9-16 @ 60-bpm, focus on mm. 15 & 16 (HT)
    ⟶ Section C, mm. 17-24 @ 60-bpm (HT)